This issue of Sculpture, the second put together remotely during the Covid-19 pandemic, also comes on the heels of the international Black Lives Matter protests. Although all the articles here were assigned and completed long beforehand, this edition very much reflects the current spirit of outrage and dialogue. The artists you will find here fall along a spectrum of oppositional intensity, yet each contributes to the necessary discussions the global“we”are having about exclusion, oppression, and intolerance.