Michael A. Landes turned away from classical modernity at an early stage to instead focus on a new architectural pluralism. To this end, he developed a vocabulary that allows him to meet the design requirements coupled with contextual, traditional, or functional demands. In order to find integral solutions to architectural and urban planning problems, he employs both his own syntax and grammar as well as a unique vocabulary. He applies the created pictures at differ-ent scales – urban planning, project or detail-related or combines them into collages. The natural transition from the creative intellectual approach to the pragmatic design process can be witnessed not only in the transforma- tion of an industrial fallows or a street- car depot, but also in his extensive scope of residential projects in various urban planning situations, which is the focus of his current activities.

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